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sábado, 30 de noviembre de 2019

LAUTARO DORES www.lautarodores.com



Bienvenidos.. ya están invitados, ahora.. a escribir cuando puedan.. yo estoy aprendiendo a manejar el BLOG....!

Ambientaciones Lautaro Dores POP ART.



BienvenidAmbientaciones Lautaro Dores POP ART.

Lolo Benavidez - Wearable art - ART WEAR 2020 colection Lolo Benavidez & Lautaro Dores.os.. ya están invitados, ahora.. a escribir cuando puedan.. yo estoy aprendiendo a manejar el BLOG....!

Lolo Benavidez - Wearable art - ART WEAR 2020 colection Lolo Benavidez & Lautaro Dores.



Wearable art

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Wearable art, also known as Artwear or "art to wear", refers to individually designed pieces of (usually) handmade clothing or jewellery created as fine or expressive art. While the making of any article of clothing or other wearable object typically involves aesthetic considerations, the term wearable art implies that the work is intended to be accepted as a serious and unique artistic creation or statement. Pieces may be sold and/or exhibited. The modern idea of wearable art seems to have surfaced more than once in various forms. Marbeth Schon's book on modernist jewellery (see the section on jewellery below) refers to a "wearable art movement" spanning roughly the years 1930 to 1960. A 2003 The New York Times review of a book on knitting refers to "the 60s Art to Wear movement".[1]
Wearable art by the artist Beo Beyond
Most wearable art is made of fibrous materials and constitutes therefore a branch of the wider field of fiber art, which includes both wearable and non-wearable forms of art using fabric and other fiber products. Wearable art as an artistic domain can also include jewelry, or clothing made from non-fiber materials such as leather, plastic sheeting, metals, etc.

Wearable fiber art[edit]

Artists creating wearable fiber art may use purchased finished fabrics or other materials, making them into unique garments, or may dye and paint virgin fabric. Countering the belief that art is something expensive, some clothing artists have started local companies to produce quality art work and clothing for a modest price. Wearable art is not restricted to jewellery but is also seen in graphic T-shirts and even pants.
As with any other art form, the talent and skills of artists in this field vary widely. Since the nature of the medium requires craft skills as well as artistic skills, an advanced artist may wish to study color theorychemistrysewingclothing design, and computer software such as Photoshop and Illustrator. Classes in clothing design and marketing are offered at colleges such as the Fashion Institute of Technology in New York City.
The New Zealand city of Nelson gained a reputation in the field of wearable art, with its World of Wearable Art Awards, held annually since 1987 and run by Suzie Moncrieff.[2] In 2005, the show moved to Wellington to a larger venue, although a museum of garments remains in Nelson. In Australia, the Shearwater Wearable Arts or W.A.V.E. (Wearable Arts Vision In Education) has developed from a high school initiative to become a leading wearable arts event.[citation needed] It is held at Shearwater, The Mullumbimby Steiner School in Mullumbimby, New South Wales.[3]

Jewelry as wearable art[edit]

Some 20th-century modern artists and architects sought to elevate bodily ornamentation — that is, jewellery — to the level of fine art and original design, rather than mere decoration, craft production of traditional designs, or conventional settings for showing off expensive stones or precious metals. In Modernist Jewelry 1930-1960: The Wearable Art Movement (2004), author Marbeth Schon explores unique and innovative wearable art objects created by surrealists, cubists, abstract expressionists, and other modernist artists working in the middle decades of the 20th century.[4]

Extreme examples[edit]

Damselfrau's mask «Jule», made from mixed materials
Not all garments created as wearable art are made from traditional fibers or fabrics, and not all such artworks are meant for ordinary, practical use. Performance and conceptual artists have sometimes produced examples which are more provocative than useful. Trashion is another branch of extraordinary wearable art, for example, work by Marina DeBris. The Portland Oregon Trashion Collective, Junk to Funk, has been using creating outrageous art garments out of trash.[5]
A well-known example is the Electric Dress, a ceremonial wedding kimono-like costume consisting mostly of variously colored electrified and painted light bulbs, enmeshed in a tangle of wires, created in 1956 by the Japanese Gutai artist Atsuko Tanaka. This extreme garment was something like a stage costume. Not really wearable in an everyday, practical sense, it functioned rather as part of a daring work of performance art (though the "performance" element consisted merely of the artist's wearing the piece while mingling with spectators in a gallery setting).[6]
In Nam June Paik's 1969 performance piece called TV Bra for Living SculptureCharlotte Moorman played a cello while wearing a brassiere made of two small operating television sets.[7]
Canadian artist Andrea Vander Kooij created a group of pieces called Garments for Forced Intimacy (2006). According to an essay at Concordia University's Faculty of Fine Arts gallery website, these hand-knit articles of clothing are designed to be worn by two people simultaneously, and they, "as the name states, compel the wearers into uncharacteristic proximity."[8]
As wearable computing technology develops, increasingly miniaturized and stylized equipment is starting to blend with wearable art esthetics. Low-power mobile computing allows light-emitting and color-changing flexible materials and high-tech fabrics to be used in complex and subtle ways. Some practitioners of the Steampunk movement have produced elaborate costumes and accessories which incorporate a pseudo-Victorian style with modern technology and materials.
Some artists, like Isamaya Ffrench and Damselfrau, create experimental masks as wearable art, using materials from Lego bricks (Ffrench); plastic trinkets, antique hear wreaths and old laces (Damselfrau).[9]

See also[edit]

References[edit]

  1. ^ Penelope Green (2003-05-04). "BOOKS OF STYLE; Why Knit? The Answers". New York Times. Retrieved 2014-03-04.
  2. ^ Rothwell, Kimberley (2013-07-06). "Suzie Moncrieff has the WoW factor"Stuff.co.nz. Retrieved 2015-12-02.
  3. ^ "Shearwater Wearable Arts 2017"Shearwater Wearable Arts. Shearwater The Mullumbimby Steiner School. Retrieved November 2, 2017.
  4. ^ Schon, Marbeth. "Results for 'modernist "The Wearable Art Movement "'". Worldcat.org. Retrieved 2014-03-04.
  5. ^ "Junk to Funk". Junk to Funk. 2012-09-10. Retrieved 2014-03-04.
  6. ^ Stevens, Mark (2004-10-04). "Electrifying Art: Atsuko Tanaka, 1954-1968 - New York Magazine Art Review". Nymag.com. Retrieved 2014-03-04.
  7. ^ Glenn Collins. "Charlotte Moorman, 58, Is Dead; A Cellist in Avant-Garde Works". New York Times. Retrieved 2014-03-04.
  8. ^ [1] Archived February 4, 2008, at the Wayback Machine
  9. ^ Solbakken, Per Kristian (February 10, 2019). "damselfrau: a peek behind the many masks of the london-based artist"designboom | architecture & design magazine. Retrieved 2019-09-13.








viernes, 29 de noviembre de 2019

CONCLUYÓ LA MUESTRA "LOS ARTISTAS DEL SENADO 2019"



ARTISTAS del SENADO 2019.

29 de noviembre de 2019

CONCLUYÓ LA MUESTRA "LOS ARTISTAS DEL SENADO 2019"
SE TRATA DE LA OCTAVA EDICIÓN DE LA EXPOSICIÓN ARTÍSTICA QUE REÚNE OBRAS DE ARTE REALIZADAS POR PERSONAL QUE SE DESEMPEÑA EN DIVERSOS SECTORES DE LA CÁMARA ALTA

Durante el cierre de la muestra "Los artistas del Senado" la directora de Cultura de la Cámara alta, Liliana Barela, reivindicó las manifestaciones culturales del personal del Senado y destacó que el principal aprendizaje con el que concluye su gestión es que "la cultura se encuentra entre todos: está en todos lados y en cada uno de nosotros".

En la edición 2019 de la muestra que es organizada anualmente por la Dirección General de Comunicación Institucional del Senado, participaron: Lautaro Dores de la Dirección de Eventos; Jorge Perrone de la Comisión Parlamentaria Mixta Revisora de Cuentas; Paula Shuster de la Dirección General de Comunicación Institucional; Clarisa Balbi de la Dirección General de Taquígrafos; Silvia Mon del despacho de la senadora Silvia Elías de Perez; Olaya Ansola de la Comisión de Agricultura, Ganadería y Pesca; Fernando Figueredo y Claudia Bordignón, de la Comisión de Sistemas, Medios de Comunicación y Libertad de Expresión; Jazmín Fabrizio Perednik, de la Dirección de Administración de Personal; Jacqueline Young, del despacho del senador Carlos Espínola; Aníbal Garfunkel de la Dirección de Seguridad; Laura Marcela Acuña de la Dirección de Parlamento Latinoamericano; Milagros Leal, Constanza Iselli y Marianela Negri del despacho de la senadora María Eugenia Catalfamo; Oscar Alberto Roldán del Bloque UCR; María Fernanda Monserrat de la Subdirección de Medicina Laboral y Discapacidad; Roberto Secchi de la Dirección de Obras; Matias Cabral, de la Dirección General de Recursos Humanos; Ignacio Bertetich y Anahí Gentile del PRIE; Sandra Lobo Poblet, Adelaida González, Marina Fons, Mariana Rodríguez Saumell de Koch y Silvia Martínez.

Además, durante el evento, los músicos Pablo Pereira (violinista), Francisco Penacino (cantante y guitarrista) y Pablo Salzman (guitarista)- integrantes de la orquesta de la Cámara alta- tocaron en vivo un repertorio de música popular argentina con piezas de tango y folklore.

LUNCH de clausura de muestra 29 de noviembre 12 horas.
Podes visitarla del 18 al 29 de noviembre - Primer piso del Palacio Legislativo.
Hipólito Yrigoyen 1849 - CABA.

Se cumplieron, recientemente 36 años del retorno de la democracia.
Motivo mi HOMENAJE al Dr. Raúl ALFONSÍN en esta ocasión en el marco de la muestra ARTISTAS DEL SENADO.

Se cumplieron, recientemente 36 años del retorno de la democracia.
Motivo mi HOMENAJE al Dr. Raúl ALFONSÍN en esta ocasión en el marco de la muestra ARTISTAS DEL SENADO.

El 30 de octubre de 1983 significó el fin de la dictadura militar que estaba instalada desde hacía siete años.

El triunfo de Raúl Alfonsín.

En la mañana del 30 de octubre de 1983, Raúl Alfonsín dijo:

" Hoy gana la democracia, ganamos todos los argentinos.

36 años después no necesito consultar ningún archivo para reproducirlo.




































viernes, 22 de noviembre de 2019

Día Internacional de la Eliminación de la Violencia contra la Mujer.



Secretaria De La Mujer De La Asociación Del Personal Legislativo.
Día Internacional de la Eliminación de la Violencia contra la Mujer.
Inauguración IX muestra " Mujeres Trabajadoras Legislativas haciendo camino al andar" 15 años de activismo sindical.
Lunes 25 de noviembre, 12.30 horas.
Salón Auditorio HCDN.
Arte Lautaro Dores Art wear Lolo Benavídez Diseño A.O.Alejandra Orellana
#APL
#SecretariaDeLaMujer — en A.P.L.