✨ LOLO BENAVIDEZ ART WEAR ✨ | El arte no solo se contempla, también se viste. ¿Buscás algo verdaderamente único? Te presentamos una propuesta de diseño de indumentaria donde el Eco Arte Textil es el protagonista. 🌿🎨 De la mano del artista visual Lautaro Dores - Arte Argentino Lolo Benavídez transformamos textiles orgánicos y procesos artesanales en prendas artísticas exclusivas. Porque cuidar el medio ambiente y vestirse con diseño de autor pueden (y deben) ir de la mano. 🌎 Productos amigables con el medio ambiente. pureza en los materiales, exclusividad en el diseño. ✨ Piezas con alma, creadas para durar. Dejá atrás lo masivo. Descubrí el universo de Lolo Benavidez Art Wear y llevá el arte con vos a todos lados. 🛒 #LoloBenavidez #ArtWear #LautaroDores #EcoArteTextil #ModaSustentable #DiseñoDeAutor #ArteTextil #PrendasOrganicas #ModaConciente #VisualArtist www.lolobenavidez.com.ar

 

LOLO BENAVIDEZ ART WEAR | El arte no solo se contempla, también se viste. ¿Buscás algo verdaderamente único? Te presentamos una propuesta de diseño de indumentaria donde el Eco Arte Textil es el protagonista. De la mano del artista visual Lautaro Dores - Arte Argentino Lolo Benavídez transformamos textiles orgánicos y procesos artesanales en prendas artísticas exclusivas. Porque cuidar el medio ambiente y vestirse con diseño de autor pueden (y deben) ir de la mano. Productos amigables con el medio ambiente. pureza en los materiales, exclusividad en el diseño. Piezas con alma, creadas para durar. Dejá atrás lo masivo. Descubrí el universo de Lolo Benavidez Art Wear y llevá el arte con vos a todos lados. #LoloBenavidez #ArtWear #LautaroDores #EcoArteTextil #ModaSustentable #DiseñoDeAutor #ArteTextil #PrendasOrganicas #ModaConciente #VisualArtist www.lolobenavidez.com.ar

Sigue Sigue Sputnik. Dores - Argentine Art / Image Hybridization Heavy - Impasto Oil + Latex · Figurative Expressionism · Pop Art · Analog-Digital Fusion / Cyber / Punk.

 Sigue Sigue Sputnik.

Dores - Argentine Art / Image Hybridization

Heavy - Impasto Oil + Latex · Figurative Expressionism · Pop Art · Analog-Digital Fusion / Cyber / Punk.

Gral. Manuel Belgrano. Lautaro Dores - Arte Argentino Batalla de Tucumán, la gran hazaña de Belgrano en el Norte. 203º aniversario del histórico triunfo sobre el ejército español, que superaba ampliamente a las huestes argentinas en número y potencia

 Gral. Manuel Belgrano.

Lautaro Dores - Arte Argentino

Batalla de Tucumán, la gran hazaña de Belgrano en el Norte.

203º aniversario del histórico triunfo sobre el ejército español, que superaba ampliamente a las huestes argentinas en número y potencia

PANTALLAS / basado en 1984 / arte visual Lautaro Dores - Arte Argentino El Gran Hermano ya no necesitaba pantallas en cada esquina; ahora residía en la red integrada del "Desarrollo Sostenible". Para el año 2030, el Partido había lanzado la Agenda Final, un paquete de diecisiete mandamientos disfrazados de prosperidad y equidad universal. Bajo la promesa de erradicar la pobreza y restaurar el planeta, se abolió la propiedad privada, la moneda física se disolvió en un crédito social digital y la movilidad humana quedó restringida a microzonas de estricta supervisión. Winston contemplaba la pancarta en la plaza central. La figura sonriente del Líder Único no solo exigía lealtad política, sino devoción espiritual. Decían que había surgido de una crisis global para traer la paz armónica, sanar las naciones y unificar a la humanidad bajo una sola fe secular. Sin embargo, en los susurros de los pocos disidentes que recordaban el mundo antiguo, su nombre no era Gran Hermano. Le llamaban el Embustero, la Bestia, el Anticristo. "La ignorancia es fuerza, el sometimiento es paz, la agenda es vida", recitaba la neolengua desde las altavoces. Winston guardó en su bolsillo un trozo de papel no digitalizado. Sabía que la Neoverdad borraría el pasado, pero mientras conservara ese pensamiento, la marca de la Bestia aún no estaría impresa en su mente

 PANTALLAS / basado en 1984 / arte visual Lautaro Dores - Arte Argentino

El Gran Hermano ya no necesitaba pantallas en cada esquina; ahora residía en la red integrada del "Desarrollo Sostenible". Para el año 2030, el Partido había lanzado la Agenda Final, un paquete de diecisiete mandamientos disfrazados de prosperidad y equidad universal. Bajo la promesa de erradicar la pobreza y restaurar el planeta, se abolió la propiedad privada, la moneda física se disolvió en un crédito social digital y la movilidad humana quedó restringida a microzonas de estricta supervisión.

Winston contemplaba la pancarta en la plaza central. La figura sonriente del Líder Único no solo exigía lealtad política, sino devoción espiritual. Decían que había surgido de una crisis global para traer la paz armónica, sanar las naciones y unificar a la humanidad bajo una sola fe secular. Sin embargo, en los susurros de los pocos disidentes que recordaban el mundo antiguo, su nombre no era Gran Hermano. Le llamaban el Embustero, la Bestia, el Anticristo.

"La ignorancia es fuerza, el sometimiento es paz, la agenda es vida", recitaba la neolengua desde las altavoces. Winston guardó en su bolsillo un trozo de papel no digitalizado. Sabía que la Neoverdad borraría el pasado, pero mientras conservara ese pensamiento, la marca de la Bestia aún no estaría impresa en su mente

Lautaro Dores - Arte Argentino Dores - Argentine Art / Image Hybridization Heavy - Impasto Oil + Latex · Figurative Expressionism · Pop Art · Analog-Digital Fusion / Cyber / Punk Lautaro Dores' work unfolds within a territory of constant cross-pollination between languages. While grounded in a solid draftsmanship structure and classic painting tradition, his work incorporates elements from comic books, illustration, muralism, urban art, and contemporary visual culture. The result is not a mere sum of styles, but a true hybridization of the image, where different eras and technologies coexist on a single surface. Heavy-impasto oil plays a central role in this exploration. Materiality does not serve solely to represent a figure; it asserts its own presence. Brushstrokes, thickness, layering, and physical gesture construct a tactile surface that retains the trace of the artist’s physical movement. Dores himself has noted that he is particularly drawn to the “sensual nature of working with physical material,” viewing models and techniques as tools to arrive at the essence of painting itself. His figurative expressionism takes the recognizable figure as a starting point while steering clear of strictly descriptive representation. Faces, bodies, and characters emerge shaped by distortions, chromatic tensions, and intensified gestures. Thus, the figure ceases to be a mere represented object and becomes a vessel for emotional states, memory, identity, and the urban experience. Art critics covering his work have highlighted precisely this use of expressive distortion and vibrant chromatic accents. Added to this is a Pop dimension rooted in his early background with comics and graphic design. Dores acknowledges drawing from comic books, action painting, and Pop art, while keeping Expressionism as his constant thread. Consequently, his visual language retains key elements of comic art’s graphic synthesis: bold contours, fragmentation, high-impact color, recognizable characters, and an immediate visual connection

 Lautaro Dores - Arte Argentino

Dores - Argentine Art / Image Hybridization

Heavy - Impasto Oil + Latex · Figurative Expressionism · Pop Art · Analog-Digital Fusion / Cyber / Punk

Lautaro Dores' work unfolds within a territory of constant cross-pollination between languages. While grounded in a solid draftsmanship structure and classic painting tradition, his work incorporates elements from comic books, illustration, muralism, urban art, and contemporary visual culture. The result is not a mere sum of styles, but a true hybridization of the image, where different eras and technologies coexist on a single surface.

Heavy-impasto oil plays a central role in this exploration. Materiality does not serve solely to represent a figure; it asserts its own presence. Brushstrokes, thickness, layering, and physical gesture construct a tactile surface that retains the trace of the artist’s physical movement. Dores himself has noted that he is particularly drawn to the “sensual nature of working with physical material,” viewing models and techniques as tools to arrive at the essence of painting itself.

His figurative expressionism takes the recognizable figure as a starting point while steering clear of strictly descriptive representation. Faces, bodies, and characters emerge shaped by distortions, chromatic tensions, and intensified gestures. Thus, the figure ceases to be a mere represented object and becomes a vessel for emotional states, memory, identity, and the urban experience. Art critics covering his work have highlighted precisely this use of expressive distortion and vibrant chromatic accents.

Added to this is a Pop dimension rooted in his early background with comics and graphic design. Dores acknowledges drawing from comic books, action painting, and Pop art, while keeping Expressionism as his constant thread. Consequently, his visual language retains key elements of comic art’s graphic synthesis: bold contours, fragmentation, high-impact color, recognizable characters, and an immediate visual connection

BATMAN / EL QUE NUNCA SE FUE ... Adam West Lautaro Dores - Arte Argentino Dores - Argentine Art / Image Hybridization Heavy - Impasto Oil + Latex · Figurative Expressionism · Pop Art · Analog-Digital Fusion / Cyber / Punk

 BATMAN / EL QUE NUNCA SE FUE ...

Adam West

Lautaro Dores - Arte Argentino

Dores - Argentine Art / Image Hybridization

Heavy - Impasto Oil + Latex · Figurative Expressionism · Pop Art · Analog-Digital Fusion / Cyber / Punk

Lautaro Dores - Argentine Art / Image Hybridization Heavy - Impasto Oil + Latex · Figurative Expressionism · Pop Art · Analog-Digital Fusion / Cyber / Punk Lautaro Dores' work unfolds within a territory of constant cross-pollination between languages. While grounded in a solid draftsmanship structure and classic painting tradition, his work incorporates elements from comic books, illustration, muralism, urban art, and contemporary visual culture. The result is not a mere sum of styles, but a true hybridization of the image, where different eras and technologies coexist on a single surface. Heavy-impasto oil plays a central role in this exploration. Materiality does not serve solely to represent a figure; it asserts its own presence. Brushstrokes, thickness, layering, and physical gesture construct a tactile surface that retains the trace of the artist’s physical movement. Dores himself has noted that he is particularly drawn to the “sensual nature of working with physical material,” viewing models and techniques as tools to arrive at the essence of painting itself. His figurative expressionism takes the recognizable figure as a starting point while steering clear of strictly descriptive representation. Faces, bodies, and characters emerge shaped by distortions, chromatic tensions, and intensified gestures. Thus, the figure ceases to be a mere represented object and becomes a vessel for emotional states, memory, identity, and the urban experience. Art critics covering his work have highlighted precisely this use of expressive distortion and vibrant chromatic accents. Added to this is a Pop dimension rooted in his early background with comics and graphic design. Dores acknowledges drawing from comic books, action painting, and Pop art, while keeping Expressionism as his constant thread. Consequently, his visual language retains key elements of comic art’s graphic synthesis: bold contours, fragmentation, high-impact color, recognizable characters, and an immediate visual connection.

 Lautaro Dores - Argentine Art / Image Hybridization

Heavy - Impasto Oil + Latex · Figurative Expressionism · Pop Art · Analog-Digital Fusion / Cyber / Punk
Lautaro Dores' work unfolds within a territory of constant cross-pollination between languages. While grounded in a solid draftsmanship structure and classic painting tradition, his work incorporates elements from comic books, illustration, muralism, urban art, and contemporary visual culture. The result is not a mere sum of styles, but a true hybridization of the image, where different eras and technologies coexist on a single surface.
Heavy-impasto oil plays a central role in this exploration. Materiality does not serve solely to represent a figure; it asserts its own presence. Brushstrokes, thickness, layering, and physical gesture construct a tactile surface that retains the trace of the artist’s physical movement. Dores himself has noted that he is particularly drawn to the “sensual nature of working with physical material,” viewing models and techniques as tools to arrive at the essence of painting itself.
His figurative expressionism takes the recognizable figure as a starting point while steering clear of strictly descriptive representation. Faces, bodies, and characters emerge shaped by distortions, chromatic tensions, and intensified gestures. Thus, the figure ceases to be a mere represented object and becomes a vessel for emotional states, memory, identity, and the urban experience. Art critics covering his work have highlighted precisely this use of expressive distortion and vibrant chromatic accents.
Added to this is a Pop dimension rooted in his early background with comics and graphic design. Dores acknowledges drawing from comic books, action painting, and Pop art, while keeping Expressionism as his constant thread. Consequently, his visual language retains key elements of comic art’s graphic synthesis: bold contours, fragmentation, high-impact color, recognizable characters, and an immediate visual connection.